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EnglishThis paper aims at following the double thread which its title indicates : Le livre du diable . The latter is, at the same time, the author and the subject of the book which we watch taking shape during our reading through the use of a series of “different new processes, perhaps”. There are various clues which tell us that Bertrand was thinking of an object belonging to a new genre, rather than of a book which was to contain a text belonging to a new genre. On the other hand we wonder about Gaspard’s identity : he seems to be the devil, but he is, above all, the author of the text in which he theorises on the duality of art. Th e Fantaisies turn out to be an attempt at reconciling God and the devil, poetry and painting, in order to allow the birth of the “chiaroscuro” of a new genre.
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| Titolo: | Le livre du diable. Les « procédés nouveaux » dans Gaspard de la Nuit | |
| Autori: | ||
| Data di pubblicazione: | 2011 | |
| Rivista: | ||
| Abstract: | This paper aims at following the double thread which its title indicates : Le livre du diable . The latter is, at the same time, the author and the subject of the book which we watch taking shape during our reading through the use of a series of “different new processes, perhaps”. There are various clues which tell us that Bertrand was thinking of an object belonging to a new genre, rather than of a book which was to contain a text belonging to a new genre. On the other hand we wonder about Gaspard’s identity : he seems to be the devil, but he is, above all, the author of the text in which he theorises on the duality of art. Th e Fantaisies turn out to be an attempt at reconciling God and the devil, poetry and painting, in order to allow the birth of the “chiaroscuro” of a new genre. | |
| Handle: | http://hdl.handle.net/11580/16711 | |
| Appare nelle tipologie: | 1.1 Articolo in rivista |
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